Elder-in-Residence & Artist-in-Residence
This residency program supports local Baltimore artists in the creation of public art installations, artist talks, and archival research. One Elder in Residence and one Artist in Residence is chosen each year to engage in joint-teaching experiments with non-arts faculty, investigating the synergies between arts practice, justice, public health and social sciences.
Past Resident Artists
2024-2025

Dr. Walter Gill – Elder in Residence
Walter (Wali) Arthur Harris Gill was born in Greenville, Mississippi. He received his public education in Jefferson City, Missouri and Baltimore, Maryland. He was the first African American to graduate from the previously all-white and all-male Baltimore City College High School in 1955; and is in the school’s Hall of Fame.
Gill earned a B.S. and received his R.O.T.C. Commission from Morgan State College in 1960. For 20 years, he was a university administrator or professor at four universities: Bowie State University, Morgan State University (where he was the first faculty hired for the Telecommunications Department in 1978), the University of Nebraska (where he received a recommendation for tenure), and Millersville University. Dr. Gill is a Life Member of the Morgan State University National Alumni Association and the Omega Psi Phi Fraternity, Inc.

Jamal Moore – Artist in Residence
Jamal R. Moore is a native of Baltimore, Maryland who is a multi-instrumentalist, composer/performer and educator. His background includes California Institute of The Arts (M.F.A. 2012), Berklee College of Music (B.M 2005), Eubie Blake Jazz Orchestra (2000) under the direction of Christopher Calloway Brooks, and the historical acclaimed Frederick Douglass Sr. High whose notable alumni include Thurgood Marshall, Cab Calloway, and Ethel Ennis.
Some notable luminaries Jamal has worked and recorded with are Wadada Leo Smith, Roscoe Mitchell, Nicole Mitchell, Archie Shepp, David Ornette Cherry, Tomeka Reid, Dr. Bill Cole, DJ Lou Gorbea, George Duke, Sheila E, David Murray, JD Parran, Ras Moshe, Hprizm, (Antipop Consortium) Tatsua Nakatani, Hamid Drake, and the late Yahyah Abdul Majid (Sun Ra Arkestra). He is an affiliate of The Pan African Peoples Arkestra of the late Horace Tapscott, Black Praxis of David Boykin, and member of Konjur Collective.
Jamal currently leads his own groups, Akebulan Arkestra, Napata Strings, Black Elements Quartet, Organix Trio, and Mojuba Duo. “As musicians we are healers of humanity and have a responsibility to cleanse disease through positive tones, frequencies and vibrations. Music is the nucleus and universal language of the oversoul, mind, body and spirit,” he says.
2022-2023
Living History Fellow (Elder-in-Residence)
Deborah Mason
Mrs. Deborah Mason, affectionately known as “Mama Debbie,” directs the Sankofa Children’s Museum of African Cultures, and was one of the first female journeyman carpenters in Maryland. During her time as an Elder in Residence, she worked with HBCU Oral History Fellow Dana Green to curate her life history archive called, “Baltimore through the Eyes of Deborah Brooks Mason.” She also served as a co-curator for “The Colors of Pontella Mason” exhibition.

Community Arts Fellow (Artist-in-Residence)
Brinae Ali
Alexandria “Brinae Ali” Bradley was born and raised in Flint, Michigan and is an interdisciplinary artist who believes in using the power of the arts to transform the conditions of the human spirit.
Brinae has served as the artistic director of Tapology, Inc. in Flint, MI, Fourth Wall Arts Salon, and Sound and Movement, LLC in Philadelphia. She has also partnered and served as a teaching artist with organizations such as Ping Chong and Company, NJPAC, Moving History in Baltimore, and the Apollo Theater Education Department. She has also received awards for Best Short Play at the Downtown Urban Theater Festival for her one woman show “Steps” and the Vox Populi Independence Music Award for “Destination Forever: Vol.1 EP.” Her broadway and off-broadway experience include Shuffle Along and STOMP.
During her time as an Artist in Residence, Brinae Ali worked diligently on The Baby Laurence Legacy Project, an archival/performative process that has birthed an integrated work of jazz tap dance and jazz music that investigates and celebrates the artistic and social influences that “Baby Laurence” Donald Jackson had on the culture of Tap Dance and Jazz Music. Currently, Brinae is a lecturer at Johns Hopkins Peabody Conservatory, co-creator of a work in progress with trumpeter Sean Jones called “Dizzy Spellz”, a member of the Baltimore Jazz Collective, and cultural ambassador for diplomacy through the lense of Hip Hop culture as an artist in residence with Next Level-USA in partnership with the U.S. Department of State Education and Cultural Affairs, the University of North Carolina, and the Meridian International Center.
2021-2022

Living History Fellow (Elder-in-Residence)
Charles Dugger
Charles Dugger, a retired Baltimore City school educator who taught in BCPSS for 45 years, used Afrocentric teachings throughout his career touching the hearts and minds of students. Additionally, he founded the Afrikan Liberation Day, Marcus Garvey Day and Kwanzaa celebrations in Baltimore. He worked as a WEAA dj, and started Camp Harambee-The People. He’s been educating youth from an African-centered perspective and organizing cultural events such as the annual Marcus Garvey Day Parade.

Community Arts Fellow
Jeneanne Collins
Jeneanne is a practicing performance poet and community artist, sometimes a mixed-media creator. Recently, she was an Artist–in–Residence at Union Baptist Church where she conducted oral archive interviews as part of the B&O Railroad Museum’s Oral History Project in partnership with the church. Jeneanne developed a series of workshop responses entitled “Churches & Trains,” Black History Every Day. She is also a member of the #nopermission collective, a group of artists that use visual, performance and alternative art to activate/charge historically oppressed spaces.
2020-2021

Spring 2021 Fellowship, Theater and Film, Noah Silas
Noah Silas is an actor, director, and writer for the stage and screen. Formally trained at the Baltimore School of the Arts, Silas has a broad list of film and theater credits as a leader and collaborator on projects throughout the greater Baltimore arts community.
Project: “Blessed Are The Charmed”
‘Blessed Are The Charmed’ is a documentary-drama that charts the life stories of six Baltimore-based artists to render a story about the evolution of Baltimore’s contemporary Black arts and culture scene.

Arts and Social Justice Fellow (Artist-in-Residence)
Dwight Watkins
D. Watkins is Editor at Large for Salon. His work has been published in the New York Times, New York Times Magazine, The Guardian, Rolling Stone, and other publications. He holds a Master’s in Education from Johns Hopkins University and an MFA in Creative Writing from the University of Baltimore. Watkins is a college lecturer at the University of Baltimore. He has also been the recipient of numerous awards including the Dambach Award for Service to the Literary Arts, BMe Genius Grant, and the Maryland Library Association William Wilson Maryland Author Award. Watkins was also a finalist for the Hurston Wright Legacy Award and Books for A Better Life.
Project: “Mask Off”
Mask Off is an interactive game designed to help young men explore their emotions in-depth, in an effort to deal with the crisis of violence in Baltimore City.

Fall 2020 Fellowship, Visual Art, Adam Stab
Adam Stab is Baltimore’s longest-active graffiti writer. He has been formative to the culture of Style Writing since 1984. Since the mid-eighties, the movement of style writing (or graffiti writing) has become the largest, fastest-growing art form on the planet. He attended Baltimore School for the Arts and went on to build a long and diverse career in the visual arts, as a graphic designer, painter, and muralist. He says if he’s known for anything, it’s being part of an era of writers that defined the “Baltimore handstyle.”
Project: “For the Love of the Block, Homage to Baltimore Street Art”
‘For the Love of the Block’ produced a public mural in the heart of West Baltimore that memorializes one of the city’s most important advocates and change-makers, the honorable Elijah Cummings. The fellowship also involved the development of an oral history archive of Baltimore Street Artists and Cultures, 1980-2000.
Community Archives Fellowship
This fellowship supports collection processing and implementing restorative engagement activities with community stakeholders that rectify past practices of silencing community voices and contribute to the national effort to address historical racial injustice in the library profession. Restorative activities include community archives workshops, consultative meetings, digitization training, focus groups, and decentralized curation.
Past Fellows
2022-2024

Jess Douglass
Jessica Douglas is an archivist and researcher from Baltimore whose work focuses on community-based, participatory, and reparative theory and practice in archives and libraries. In addition to her prior work as a reference archivist, she works with individuals and organizations to conduct archival and historical research, particularly related to Black history and local (Baltimore and Maryland) history. She holds a B.A. in Political Science and History from Fordham University in the Bronx, NY and is currently pursuing her Master’s in Library and Information Science at the University of Maryland, College Park.
Xavier Walker
Throughout his undergraduate career, Xavier Walker (BA English and Women’s, Gender, & Sexuality Studies) worked with a variety of archives and collections as an intern at the National Museum of African American History and Culture, an EXCEL scholar, and a student worker with Skillman Library’s Digital Scholarship Services. Most notably he spearheaded the ABC Archives Project, a digital archive of over 500 artifacts that chronicle the history and culture of Black life at Lafayette College. Xavier has a passion for community building, and is also a DJ, events curator, and multimedia artist. He nows serves as the Assistant Director of the Billie Holiday Center.
2021-2022

Bria Warren
Bria is a recent master’s graduate who enjoys preserving and learning about various cultures. After receiving her bachelor of arts in political science from the University of Maryland, she traveled to South Korea to teach English. Bria later returned to the U.S. to get her master’s degree in history. As a student in the graduate program at UMBC, she worked in a fellowship at the Maryland Center for History and Culture to preserve history surrounding the anniversary of Freddie Gray’s death.

Deyane Moses
Deyane Moses is a veteran, artist, activist, and curator living in Baltimore, MD. She graduated from the Maryland Institute College of Art (MICA) with a BFA in Photography and an MFA in Curatorial Practice. She received international recognition during her studies for her project, The Maryland Institute Black Archives (MIBA), which documents MICA’s Black history from the 1800s to the present and explores its relationship with Black Baltimoreans. MIBA and its accompanying programs prompted MICA’s President to issue a public statement apologizing for the College’s racist past. In 2020, Deyane founded Blackives, LLC a consulting firm that honors community traditions through postcustodialism.
Curatorial Fellowship for Baltimore Africana Collections
This fellowship funds the creation of physical and virtual exhibitions that are accessible to broad audiences. One such exhibition is the Ethel’s Place: Celebrating Ethel Ennis, Baltimore’s First Lady of Jazz. Devoted to jazz vocalist Ethel Ennis, this exhibition explored each era of the singer’s life and featured over 130 items from the Sheridan Libraries’ Ethel Ennis and Earl Arnett Collection, including photographs, posters, unpublished written arrangements, and audiovisual recordings. In relationship with Johns Hopkins Sheridan Libraries, we also acquired the aforementioned Billie Holiday collection through which a modular, traveling exhibition titled “The Birth of Jazz, Baltimore’s Billie Holiday” has since been created and showcased across the state of Maryland and beyond. The 2023 Donald Bentley Memorial Lecture located at the Baltimore Museum of Art was devoted to Billie Holiday and featured a lecture, a showcase of archival images, and a cabaret-style concert of Billie Holiday’s songbook.